Two of Britain's best artists, John Constable and Thomas Gainsborough, were delivered within 10 miles of every other in a few of the most fertile and rich farming area in England. They were both deeply motivated by their native Suffolk, and a large element of South Suffolk/North Essex around Flatford Mill has implemented Constables name - 'Constable Country' - as much of the region is reflected in his work. Gainsborough also left a powerful legacy, and there's memorial focused on him in Sudbury, where he was born, as well as this amazing sculpture in industry squareJohn Constable was born in 1776 at East Bergholt, the son of a profitable mill operator in Dedham Vale. John's chosen career of painting was frowned upon by his family therefore he tried to mix his love of painting with working in the family organization. Nevertheless his spare time was used painting his surroundings in Flatford, Dedham and East Bergholt, and he was ultimately allowed by his father to attend the Royal Academy in 1799. He was well aware of Gainsborough's work and these were among the formative influences in his work 'I fancy I see Gainsborough under every hedge and hollow tree' he wrote in 1799 from Ipswich.Thomas Gainsborough was born in 1727 in the market town of Sudbury. So that you can maintain himself he needed portrait commissions and backup paintings in addition to religious works, but landscapes were his true love. At the time areas weren't popular and there is no actual demand for them. Gainsborough were able to develop new a desire through beginning the realist tradition of landscape painting in the united kingdom, in contrast to the mythical landscape scenes of 18th D painters. Gainsborough moved to London in 1774 and steadily his sensible pictures of very bungalows, country scenes, creatures, churches and open skies received wide acceptance. Partly this was as a result of a nostalgia for just how the country had been, as mechanisation was beginning to replace more old-fashioned kind of farming, and the Industrial Revolution was drawing more and more people from the fields.Over the course of his profession Gainsborough colored over 500 images of the English nobility, but he deemed himself a landscape artist despite only generating some 200 landscape canvasses.Constable declined the simple choice of a situation in his family business and decided rather to focus on his painting. As he was also reluctant to just take on property and picture commissions, choosing alternatively to focus on landscapes nevertheless he did not become self sufficient in this. As a party of the rural landscape, his early landscape work was a faithful reflection of the nation scenes around him. When he was forty his father died and left an exclusive income to him, which allowed him to concentrate on his creative development. He remained true to showing beneficial and enjoyable facets of the scenery, rather than the dramatic and stormy work of his contemporary, Turner. Constable desired to produce a serious and patient study of character, and focused on this depth in the place of painting new displays. The poetry of Wordsworth was soon to reveal a similar respect for and review of nature.At age 53 Constable was elected to the Royal Academy, which was unusual for a landscape artist. His work was sought after and he became one of many biggest influences on the art of his time. But he never wished to keep England and, unlike Turner who drew his inspiration from Italy, was content to examine the landscape of the Stour Valley. And when you come and visit Constable Country you'll see why!Gainsborough's House can be found in Sudbury - see Gainsborough's HouseA significant exhibit of oils and sketches by Gainsborough and Constable can be found in the Wolsey Art Gallery at Christchurch estate, Ipswich, which will be open to people all year round. Call 01473 433554.

About the Author

Nevil dominguez See our site for more details about 7m

Your Response